The explanation when you click on why this became a pro feature says absolutely nothing about any attempts to fix the situation. But if you start selling the content, then you are outside the safe harbor protection. All you have to do is disable downloading of any music that receives a DMCA request, and you are legally in the clear. The DMCA provision exists explicitly for this situation. Making people pay doesn't actually fix the issue of the content being acquired illegally, and actually puts the site more at risk. The problem is that their explanation doesn't make any sense. I do appreciate what they do to allow us to continue to have the great program and I look forward to them overcoming this latest challenge. I'm in no way a UG employee, so I'm not talking on behalf of them. People, especially the kids, are quite innovative when it comes to overcoming obstacles such as this. It's biggest challenge is that there have been nearly 6 million scores posted on and it will not be an easy task to determine which ones can remain and which ones cannot.įor the schools using MuseScore, there are plenty of free options for sharing scores among the students, like dropbox, Google drive and so forth. UG's goal is to return basically to it previous ways as much as possible. The industry is now fighting back and UG is protecting MuseScore the way it must at the moment. Unfortunately they have done a very poor job protecting the rights of the music industry. MuseScore sites have been a self moderated for over a decade now. As a stopgap, UG has limited downloads until a system can be set up to assure copyright holders are paid what they are owed. The problem is that is in danger of being shutdown completely, which none of us want. UG has experience negotiating with publishers to allow for this type of operation. com side a) existing and b) free as it was when it was sold. com site, you will see that part of the motivation for selling MuseScore to Ultimate Guitar was to keep the. If you read the article shoichi pointed to on the.

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